Projects
sHOWING fACE
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Brandon Dean led a series of meetings between students from The Attic LGBT Youth Center and LGBT seniors from the Anderson Apartments, focusing on intersectionality such as race, class, and gender identity. Acknowledging the depth of history and experience at Anderson, residents also had a chance to share their stories with the Attic students. Dean led zine-making workshops during these gatherings and recorded conversations between youth and seniors. He also created a “master zine” with pocket sleeves that catalogs student and senior produced zines.
Dean’s contribution was distributed at the project dedication as a companion to the portrait series. Through storytelling, history lessons, and art-making stronger relationships were built between the older and younger generations.
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Preorder Southern Exposure Issue 8: ADAM
Issue 8 deals with with religion, the story of Adam and Even in the Garden of Eden, and reconciling the inherent contradictions and questions that arise. The essay delves into the complexities of faith and shame, and the challenges that come from having a internal moral compass that is in direct conflict with established doctrine.
FOREIGN BODIES is a zine about repression and agency over the human body. In the absence of control of our place in society, the only control we have left is with our own bodies. The 16 page zine features still life imagery and digital composites in black and white.
PROMO: Buy 3 or more zines, get Foreign Bodies for free
YOUTH HUSKY is a zine about the personal experience of navigating the confines of an often one-size-fits-all world, and the life lessons it imparts.
The 16 page zine comes with a pencil and asks the reader to draw on the images to “complete” the missing portions of the figures. With the final product in the readers control, “Youth Husky” is only complete when the readers imagines (or re-imagines) the possibilities of the human form. Perhaps in the drawing process, the zine shows in some small way that body image is both personal and social.
Issue 7 of SOUTHERN EXPOSURE focuses on origin stories and how they establish the preconditions that support the motives of their creators. This issue is about the power of stories, even when they are lies. With imagery inspired by motifs of Soviet propaganda, neoclassicism, and the State Flag of Alabama (itself an intentional derivative of a Confederate Battle Flag), “Fatherland” explores the way the history is written and re-written to create a form of propaganda, and a means by which we we justify our worst instincts.
The zine is 24 pages, 8x8”
Issue 6 of Southern Exposure is all about color, pure and simple. The images explore the relationship of light to color. 24 Pages, 8x8”.
Issue 5 of Southern Exposure explores the racist foundations of the National Parks System, and how that extends to modern stereotypes around African Americans and the outdoors. Featuring landscapes from the American West. 24 Pages, 8x8”.
Issue 4 of SOUTHERN EXPOSURE : Vir Heroicus Sublimis ("Man, Heroic and Sublime") is a visual ode to the pioneers of color field painting and hard edged abstraction. The imagery draws inspiration from the likes of Barnett Newman, Mark Rothko, and Kenneth Nolan, with writings that draw parallels to between the current social climate and Newman's thoughts on the Sublime.
Issue 1 of Southern Exposure deals with the Confederate Battle Flag as an aesthetic object, and as a symbol of a revisionist history designed to support white supremacy. The images and writing explore re-appropriation of this visual object and analyze the problematic history of its origin and the graphic design’s complex relationship to desire.
The Second issue of Southern Exposure, this issue explores the concept of racial "Whiteness" through visual allegory. The writings explore my personal introduction to the idea of whiteness at an early age.
“We all have seen utopian visions of the future in a variety of mediums throughout modern history. In retrospect, these are always reflective more of the time that envisioned it than of the future that eventually comes to pass. This work is about how those visions fail to capture how dazzling and complicated those envisioned times end up being in reality.
These science-fiction utopias that capture popular imagination often leave behind real physical remnants in art and design that were meant for a time that never fully arrived. I wanted to make room for a type of vision that sees Black and brown bodies, Queer bodies, large bodies, and altered bodies as fitting a future more based in the immense complexity of real life.”
Full Color Hardbound Photography Book
First Edition
108 Pages
7” x 10”
Hardcover, Case Bound
Smooth hardbound matte cover with lush matte interior.
Printed in the United States in the year of 2021.
Introduction: Brandon Dean in-conversation with Kyle Quinn.
All photographs by Brandon Dean
Design, Layout & Introduction by Kyle Quinn
Published by Raw Meat Collective
Text Editing by Sarah Leach